Hoboken (Waterfront II; Grain Elevator; Hoboken)= 1927-1928, Lithograph.

Flint 9. Edition c. 20. Signed and dated ‘27 in pencil.

Image size 9 7/8 x 13 7/16 inches (252 x 341 mm); 14 15/16 x 17 1/2 inches (385 x 445 mm).

A fine impression, on cream wove chine collé, with full margins (2 to 3 inches), in excellent condition. Scarce.

Printed by Desjobert, Paris.

$3000.

Breakfast= 1929, Lithograph.

Flint 17. Edition 50. Signed, dated '30, titled and numbered 21/50 in pencil. Signed with the artist's monogram in the stone, lower left.

Image size 10 3/8 x 7 15/16 inches (264 x 202 mm), sheet size 15 7/8 x 11 1/4 inches (403 x 286 mm).

A fine impression, on cream wove paper, with full margins (1 1/2 to 3 1/4 inches), in excellent condition.

SOLD

Hanover Square= 1929, Lithograph.

Flint 28. Edition 25. Signed and dated in pencil. Signed with the artist's monogram in the stone, lower left.

Image size 14 3/4 x 8 15/16 inches (375 x 227 mm), sheet size 19 1/4 x 14 1/8 inches (489 x 259 mm).

A superb, richly inked impression, on cream wove paper, with full margins (2 1/4 to 2 5/8 inches), in excellent condition.

Collections: Brooklyn Museum, NMAA, MoMA.

SOLD

Tanks #1 = 1929, Lithograph.

Flint 39. Edition 50. Signed, titled and dated in pencil. Signed with the artist's monogram in the stone, lower left.

Image size 13 15/16 x 8 1/16 inches (355 x 204 mm), sheet size 15 13/16 x 11 1/2 inches (401 x 292 mm).

A fine, rich impression, on cream wove paper, with full margins (11/16 to 1 3/4 inches), in excellent condition.

Reproduced: Prints and Their Creators, A World History, Carl Zigrosser, Crown Publishers Inc., 1974.

Collections: Brooklyn Museum, NMAA, NYPL, PMA.

$10,000.

Flint 40. Edition 50. Signed and dated in pencil. Signed with the artist's monogram in the stone, lower right.

Image size 14 5/8 x 9 inches (372 x 229 mm); sheet size 18 1/2 x 12 5/8 inches (470 x 320 mm).

A fine, rich impression, on cream wove paper, with full margins (1 7/8 to 2 1/4 inches). Pale tape staining in the top right and left sheet corners, well away from the image, otherwise in excellent condition. An impression from the original edition of 50 printed by George C. Miller in 1929.

Collections: NMAA, NYPL, WMAA.

$6000.

Corner of Steel Plant = 1929, Lithograph.

Flint 21. Signed, dated and numbered 5/25 in pencil. Signed with the artist’s monogram in the stone, lower left.

Image size 11 5/16 x 7 3/4 inches (287 x 197 mm); sheet size 15 7/8 x 11 1/4 inches (403 x 286 mm).

A superb impression, on cream wove paper, with full margins (1 1/2 to 2 1/2 inches), in excellent condition.

Collections: Brooklyn Museum, SAAM, PMA.

$6500.

Brooklyn Bridge = 1929, Lithograph.

Flint 48. Edition 100. Signed and dated '30 in pencil. Signed with the artist's monogram in the stone, lower left.

Image size 13 1/8 x 7 7/8 inches (333 x 200 mm), sheet size 16 x 11 1/2 inches (406 x 292 mm).

A superb impression, with a dramatic range of values, on cream wove paper; full margins (1 1/2 to 3 1/4 inches), in excellent condition.

Illustrated and exhibited in Precisionism in America, 1915-1941: Reordering Reality, Harry N. Abrams and The Montclair Art Museum, 1994.

Mary S. Collins Prize for best lithograph, Third Exhibition of American Lithography, Phildalephia Print Club, 1931.

Collections: BROOK, MFA, MoMA, SAAM, NYPL, PMA.

SOLD

Queensboro Bridge = 1930, Lithograph.

Flint 61. Edition 50. Signed, titled and dated in pencil.

Image size 13 1/2” x 7 5/8” (342 x 193 mm); sheet size 15 7/8” x 10 3/4” (403 x 272 mm).

A fine, rich impression, on Rives BFK cream wove paper, with full margins ( 7/8 to 1 5/8 inches), in excellent condition.

Collection: Smithsonian American Art Museum.

SOLD

Portrait Study (Self-Portrait) = 1930, Lithograph.

Flint 64. Edition 50. Signed, dated, titled and numbered 20 in pencil. The artist’s monogram in the stone, lower left. Stamped NOV 20 1930 in ink, verso.

Image size 9 5/8 x 6 1/2 inches (244 x 165 mm); sheet size 16 x 11 1/8 inches (406 x 292 mm).

A fine impression, on cream wove paper, with full margins (2 1/8 to 4 inches), in excellent condition. Printed by George C. Miller.

Collections: BROOK, DIA, MOMA, NMAA, NYPL, PMA.

$1800.

Under the Bridge= 1930, Lithograph.

Flint 75. Edition 20, (10 printed in 1972). Signed and dated in pencil; Titled and numbered 15 on the bottom sheet edge.

Image size 14” x 8” (356 x 203 mm); sheet size 15 3/4” x 11 1/4” (400 x 286 mm).

A fine impression from the first edition, on Rives BFK cream wove paper, with full margins ( 7/8 to 1 5/8 inches), in excellent condition. Printed by George C. Miller. Plate cancelled.

Collection: NMAA.

Price on Request.

City on a Rock – Cohoes = 1931, Lithograph.

Flint 79. Edition 242 plus 15. Signed and dated '31 in pencil. Signed with the artist's monogram in the stone, lower right.

Image size 8 1/8 x 12 7/8 inches (206 x 327 mm); sheet size 11 3/8 x 15 7/8 (289 x 403 mm).

A fine impression on cream wove paper, with full margins (1 3/8 to 1 5/8 inches); in excellent condition.

Reproduced and exhibited in The American Scene: Prints from Hopper to Pollock, The British Museum, 2008.

First prize, International Competitive Print Exhibition, The Print Club of Cleveland, Ohio, 1931. Published as the club’s membership print for that year.

Collections: LC, MET, NMAA, NYPL.

$900.

Angry Skies (Andante Cantabile) = 1935, Lithograph.

Flint 123. Edition 10; AAA edition of 250 (1948). Signed in pencil. Signed in the stone, lower left.

Image size 9 5/8 x 13 1/2 inches (244 x 343 mm); sheet size 11 7/8 x 16 1/8 inches (302 x 410 mm).

A fine, rich impression, on cream wove paper, with full margins (1 to 1 1/4 inches), in excellent condition.

Printed for Associated American Artists Group by George C. Miller.

Collections: MMA, SAAM.

SOLD

Mural Study: Lower Manhattan = 1936, Lithograph.

Flint 135. Edition 10 or fewer. Signed and dated in pencil. Signed with the artist's monogram in the stone, lower right.

Image size 13 5/16 x 7 3/16 inches (338 x 182 mm); sheet size 18 x 11 1/2 inches (457 X 292 mm).

A fine, rich impression, on cream wove paper, with full margins (1 7/8 to 2 1/2 inches). Soft creasing in the top right sheet corner, well away from the image, otherwise in excellent condition.

Printed by Theodore Cuno. Lozowick's study for a mural commissioned by the Treasury Relief Art Project for the Post Office at 33rd Street and 8th Avenue in New York City.

Collections: NMAA.

SOLD

Mural Study: Triborough Bridge = 1936, Lithograph.

Flint 136. Edition 10 or fewer. Signed and dated in pencil. Signed with the artist's monogram in the stone, lower right.

Image size 13 1/8 x 7 1/4 inches (333 x 184 mm); sheet size 18 x 11 1/2 inches (457 x 292 mm).

A fine, rich impression, on cream wove paper, with full margins ( 2 1/8 x 2 1/2 inch), in excellent condition.

Printed by Theodore Cuno.

SOLD

Oil Country = 1936, Lithograph.

Flint 137. Edition c. 200, AAG. Signed with the artist's monogram in the stone, lower left.

Image size 12 1/2 x 7 7/16 inches (317 x 189 mm); sheet size 17 3/8 x 12 3/8 inches (442 X 314 mm).

A fine, rich impression, on cream wove paper, with full margins (2 1/4 to 2 3/4 inches), in excellent condition.

Printed by George C. Miller. Published by American Artists Group in an unsigned, unlimited edition (not exceeding 200).

Collections: MET, PMA.

SOLD

Steel Valley = 1936, Lithograph.

Flint 141. Edition 15; AAA edition 250, 1942. Signed in pencil, with the artist's monogram in the stone, lower left.

Image size 9 7/16 x 13 7/16 inches (240 x 341 mm); sheet size 11 7/8 x 15 7/8 inches (302 x 403 mm).

A fine impression, on off-white wove paper, with full margins (1 1/8 to 1 1/2 inches), in excellent condition.

An impression from the AAA edition printed by George Miller.

Collection: Achenbach Foundation for Graphic Arts, San Francisco.

$4400.

Shipbuilding = c.1936, Lithograph.

Flint 138. Edition not stated. Signed in pencil.

Image size 11 3/16 x 13 13/16 inches (284 x 351 mm); sheet size 14 x 19 1/8 inches (385 x 486 mm).

A fine impression, on cream wove paper, with full margins (1 5/16 to 2 7/8 inches), in excellent condition.

Collections: NMAA.

$1400.

Distant Manhattan from Brooklyn (Distant New York) = 1937, Lithograph.

Flint 145. Edition not limited but less than 200. Signed and dated in pencil. Signed and dated in the stone, lower right.

Image size 7 15/16 x 13 1/8 inches (202 x 333 mm); sheet size 12 1/8 x 17 3/4 inches (308 x 451 mm).

A fine, rich impression, on cream wove paper, with full margins (1 11/16 to 2 1/2 inches). Tape stains in the top left and right sheet corners, recto and verso, well away from the image, otherwise in excellent condition.

A scarce signed impression from the unsigned edition published by American Artists Group. Printed by George C. Miller.

Collections: NMAA, PMA.

SOLD

Granaries of Democracy = 1943, Lithograph.

Flint 196. Edition 25. Signed, dated, titled and numbered 1/25 in pencil. Signed with the artist's monogram in the stone, upper left.

Image size 12 15/16 x 8 1/2 inches (329 x 216 mm); sheet size 15 7/8 x 11 5/8 inches (403 X 295 mm).

A fine, rich impression, on cream wove paper, with full margins (1 1/4 to 1 7/8 inches), in excellent condition.

Reproduced in Pressed In Time: American Prints 1905-1950, Henry E. Huntington Library and Art Gallery, San Marino, 2007. Exhibited: Pressed In Time: American Prints 1905-1950, The Huntington Library and Art Gallery, San Marino, 2007-2008.

Collections: LC, NMAA.

SOLD

Tel and Tel (T & T) = 1952, Lithograph.

Flint 235. Edition 15-20. Signed and numbered 9/15 in pencil.

Image size 13 x 8 3/8 inches (330 x 213 mm); sheet size 16 1/8 x 12 1/8 inches (410 x 308 mm).

A fine impression, on cream wove paper, with full margins (1 1/2 to 2 inches), in excellent condition.

Collection: SAAM.

SOLD